An English woman dares to defy the might of the British Empire and champions the cause of the Boers during the Anglo-Boer War, battling to alleviate the suffering of women and children in concentration camps.

Emily is a girl trying to outrun a troubling past. She finds herself losing that race as she starts her freshman year at college. As she goes through the challenges of starting a new life she finds her murderous urges resurfacing. Hiding behind a facade she pretends to be just a normal girl; she just happens to be slashing her way through college.

A policeman has breakfast with his wife and children, and then prepares for the day's work. While on his beat, he finds and helps a lost child. Later, several officers try to save a woman who has attempted to drown herself. And there are some even more hazardous situations yet to come.

The Life of an American Cowboy is a Western short film.

Emily @ the Edge of Chaos interweaves Emily Levine’s live performance with animation, appearances by scientists, and animated characters. The film uses physics, which explains how the universe works, to explain our metaphysics – the story of our values, our institutions, our interactions. Using her own experience and a custom blend of insight and humor, provocation and inspiration, personal story and social commentary, Emily takes her audience through its own paradigm shift: from the Fear of Change to the Edge of Chaos.

A bored housewife poses as a call girl for a movie star sex-symbol, hoping she can prove to her husband, the star's agent, that she is still desirable to other men and thereby, rekindle the spark in their marriage.

Maria-Eleonora is an actress. During a film premiere she leaves the screening hall and crashes her car into the concrete wall of a parking lot, killing herself. Her longtime friend and aspiring film director Peter try to find out the reasons behind this dramatic act and interviews her relatives, colleagues, closest friends. He adds to the interviews video footage that he himself shot during their life together and some film scenes in which Maria-Eleonora took small supporting parts. Thus, Peter creates the film "Scenes from the life of an actress". Peter learns that everyone has a story about what happened, but no one really knew the deceased actress. Peter didn't knew her too.

What is love? In how many forms can it manifest itself? 14 short episodes about love, spanning generations of lovers...to answer.

On Halloween night, a grieving woman turns to the occult in an attempt to reunite with her deceased lover.

Emily of New Moon is a Canadian television series, which aired on CBC Television from 1998 to 2000. The series originally aired in the United States on the Cookie Jar Toons block on This TV and it is currently seen in Canada on the Viva, Bravo! and Vision TV cable channels. The series, produced by Salter Street Films, was based on the Emily of New Moon series of novels by Lucy Maud Montgomery. The series consisted of three seasons of thirteen episodes and one season of seven episodes, for a total of forty-six. The executive producers were Micheline Charest, Michael Donovan, and Ronald Weinberg.The series starred Martha MacIsaac as the titular orphan Emily Starr. Susan Clark and Sheila McCarthy played Emily's aunts Elizabeth and Laura, who had taken on the responsibility of raising Emily following her father's death, and Stephen McHattie played her cousin Jimmy. Susan Clark left the series after the first season when her character, Elizabeth, was killed off.Recurring cast included Chip Ciupka as Mr. Carpenter, Peter Donaldson as Ian Bowles, Richard Donat as Dr. Burnley, Kris Lemche as Perry Miller, John Neville as Uncle Malcolm, Jessica Pellerin as Ilse Burnley, Shawn Roberts as Teddy Kent, and Linda Thorson as Cousin Isabel.